Kick the Dog: His abuse of his loyal underling Max, who's also the nicest of the meanies.Heel≯ace Turn: Once Pepperland is restored by the Beatles music, and after being humiliatingly decorated with roses by Jeremy, the Chief accepts John's offer of friendship, deciding that if you can't beat 'em, join 'em.
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Ambiguously Gay: It's hard to tell whether he's supposed to be Camp Gay or an Evil Aristocrat type, since there's a fine line between camp and effete.This makes them shockingly closer to Mooks in video games several decades before the medium surfaced.Ĭhief Blue Meanie Voiced by: Paul AngelisLeader of the Meanies. Ur-Example: The Blue Meanies are a rare example of an antagonistic force that prominently features various types of Mooks of all shapes and sizes alongside the standard foot soldiers, all sharing one or two identifying visual traits associated with their faction.Granted, "Blue Meanies" does sound better than "Purple Meanies." Interestingly, apparently the Blue Meanies were originally planned to be a different color, like red or purple it was an accident that they turned out blue. blueish? You don't look blueish." Production supervisor John Coates claims this moment was meant as commentary on the stereotypical casting of Jewish actors as villains. Space Jews: Strangely, they are both A Nazi by Any Other Name and this trope.Hence the joke where the Chief Blue Meanie moans about where they could go since they were defeated, and Max suggests "Argentina?" The Chief also invokes Today, X. A Nazi by Any Other Name: The Blue Meanies.Fun-Hating Villain: What seems to be their primary motivation for wanting to turn Pepperland "Blue".The Blue Meanies are.well, blue, and not a lot of them are what you'd call pleasant. If you listen closely, John's explanation eventually devolves into some kind of recipe note It sounds like a recipe for scrambled eggs, which was, according to legend, the working title for "Yesterday." The other characters promptly laugh it off and attempt to bash open their glass prison while he's still talking.
Technobabble: In a parody of his tendency towards profound pronouncements, Lennon's character attempts to explain the uncanny resemblance between themselves and Sgt.Know-Nothing Know-It-All: He frequently says that weird things the Beatles see relates to Einstein's Theory of Relativity, but never properly explains how, with his "scientific" commentary usually devolving into nonsense.But after he drinks some sort of serum, he turns to normal, and says that he's just had the strangest dream. Frankenstein's Monster: For unexplained reasons, when the others come across him in Ringo's house, he looks like Frankenstein's monster.These styles included melding love-action photography with animation, 3 dimensional sequences and kaleidoscopic "rotoscoping" where film is traced frame by frame into drawings. " The style should vary every five minutes or so to keep the interest going until the end".
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" I thought from the very beginning that the film should be a series of interconnected shorts" remembers Yellow Submarine's art director, Heinz Edelmann. Yellow Submarine sits aloingside the dazzling Pop Art styles of Andy Warhol, Martin Sharp, Alan Aldridge and Peter Blake.
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Directed by George Dunning, and written by Lee Minoff, Al Brodax, Jack Medelsohn and Erich Segal, Yellow Submarine began its voyage to the screen when Brodax, who had previously produced nearly 40 episodes of ABC's animated Beatles TV series, approached Beatles' manager Brian Epstein, with a unique vision for a full-length animated feature. " The music, let's face it, was the inspiration for the whole film," said Yellow Submarine line producer John Coates. And by integrating the freestyle approach of the era with innovative animation techniques, it revolutionised a genre. By merging the visual splendour of animation with a fantasy - adventure tale filled with peace, love, hope and of course, music, Yellow Submarine captured the essence of the Sixties. When The Beatles' spectacular feature, Yellow Submarine, debuted in 1968, it was instantly recognisable as a landmark film.
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